By Sextus Empiricus, Denise Davidson Greaves
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Additional resources for Against the Musicians (Greek and Latin Music Theory)
1310. St. Petersburg, National Library of Russia, MS Fr. F. v. III, 4, fol. 47r. Photograph: National Library of Russia. all the passers-by and made them poor. 120 These three-natured Sirens posed a problem for artists called upon to illustrate them. In British Library, MS Yates Thompson 19, fol. 50v, the ﬁshtails are unmistakable, and the shawm-playing siren in the middle has a ﬁn besides, but the singing siren on the right has a wing and a bird’s foot (ﬁg. 6). By contrast, in a Thérouanne manuscript of circa 1310 the Sirens’ nether parts are clearly avian; the rightmost, who has taken over the shawm so that her colleague can play the canon, has two wings (ﬁg.
The complete philosopher will combine speculation (by listening to them) with action (by sailing on). Eustathius then o√ers alternative treatments: Others, more concerned with a factual basis, supposed that the Sirens were lyre-playing harlots who deprived passers-by of their travel goods; they did not kill them (that being a mythical exaggeration) but rendered them poor and thus made them come to grief. Others say they were places that emitted a continuous stream of air from the ground; auloi, placed next to them by the locals, produced a melody that attracted passers-by, astonished them, and made them stay, though the myth exaggerates in saying that their provisions ran out and they died.
J. Richardson); Jane Davidson Reid, The Oxford Guide to Classical Mythology in the Arts, 1300–1990s (New York: Oxford University Press, 1993), 2:1004–1008. 3. Heinrich Lewy, Die semitischen Fremdwörter im Griechischen (Berlin: R. Gaertners Verlagsbuchhandlung, 1895; reprint, Hildesheim: G. Olms, 1970), 205; M. L. West, The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth (Oxford: Oxford University Press, 1997), 428. No plausible Greek etymology exists. 4. 653). On their relation to the Homeric Sirens see the survey of opinions in John R.
Against the Musicians (Greek and Latin Music Theory) by Sextus Empiricus, Denise Davidson Greaves