Download e-book for kindle: Acting in Concert: Music, Community, and Political Action by Mark Mattern

By Mark Mattern

ISBN-10: 0813524849

ISBN-13: 9780813524849

I'm a pupil of Mark Mattern at Baldwin-Wallace university. This ebook offers a few perception into a space of Political technology that doesn't mentioned in educational literature. A needs to learn for Political technological know-how majors round the kingdom.

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8. For example, in his study of heavy metal music, Rob Walser (1993) argues that the "loudness and intensity of heavy metal music visibly empower fans, whose shouting and headbanging testify to the circulation of energy at concerts. Metal energizes the body" (2), which translates into the listener's perception of increased power. Heavy metal musicians produce these psychological and affective responses through power chords, heavy amplification, vocal and instrumental distortion, electronic sustain, and other conventions.

See Louisiana Cajun French Music Association: Laisse le bon temps rouler, vol. 1, trans. Melissa Fiutak (CFMA Records 02 [Acadia Music]).  . Thank God for Louisiana. See also the Balfa Brothers' 1975 recording of "Je suis content d'être un Cajun" [I'm happy to be a Cajun] (Rounder, 6007). 13. Soileau's labels include Jin, Swallow, and Maison de Soul. Miller's labels include Fais Do Do and Feature. 14. The translation is by Ancelet (1992a). 15. For a history of this period of the Cajun revival, including a discussion of the first Tribute to Cajun Music, see especially Ancelet (1992a).

Previous page < previous page page_143 page_144 next page > next page > Page 144 For example, canto poblacional musicians sometimes used their music to address problems collaboratively within local poblaciones, but the musicians 34 35 often viewed their work within the larger oppositional framework of resistance to Pinochet and solidarity with nueva canción and canto nuevo. At the Cajun "Rendez-vous," musicians addressed the problems of ethnic stigma and survival as a culture while simultaneously (and often implicitly) debating the identity of their community.

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Acting in Concert: Music, Community, and Political Action by Mark Mattern


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